dionysianism Essay Example For Students

dionysianism Essay DionysianismIf you look sufficiently hard, you can see Dionysianism in a great deal of spots. This is where an individual does a wide range of wild things. They are free willed and courageous. This is the exceptionally inverse of the more traditionalist Apolianistic way of life lived by others.In the film Gimme Shelter we see a great deal of this. We see individuals doing a wide range of free energetic occasions. Gimme Shelter is an extraordinary case of Dionysianism. In this film they report a show in San Francisco that is featured the Rolling Stones. The individuals at this show frequently striped in open site of everybody, and did different demonstrations of absurdity. The enormous contention about this celebration was that there were tremendous mobs toward the finish of the show, when the Rolling Stones came on.Looking at the film, there didnt seem, by all accounts, to be any Apolonion individuals at the show. This way of life isnt just found in this film. It can likewise be foun d underway of Nietzsche. On the off chance that he could have seen this video, he would have flipped. There is an excessive amount of revering of Dionysis for him. He accepted that each individual has these two different ways of deduction, that of Apollo and Dionysis, and we as a whole need to locate the correct parity of these to succeed.He would have thought the two makers of this film were insane too in light of the fact that they set up something like this. There are a few things we have discussed in class that have concurred with the film. For example, the Bacchae by Euripdes is a play highlighting Dionysis as one of the lead characters. This play praises wild and insane conduct, and murdering, much the same as the movie.I can just envision what it probably been similar to at beat one of these shows during the 1960s. It probably been an incredible inclination realizing that you were a piece of such an enormous gathering of individuals and everybody had indistinguishable sentiments from you did. O course, these were Dionysis-like emotions. I have been to a couple of shows, however none of them were as insane as the one we viewed in the film. I unequivocally accept that music additionally assists with the insanity. From simply viewing the film and tuning in to the melodies, I felt the vitality that was at that show. It was mind boggling. Euripides would have concurred with a great deal of the things that went on at that show in 1969.Nietzsche would disobediently have contradicted it however, in light of the fact that it was excessively lopsided for typical people. The Directors of the film lived in a period where dionystic things happened constantly. This is simply one more case of Dionysianism.

Aristotle's on Democracy Essay Example | Topics and Well Written Essays - 1250 words

Aristotle's on Democracy - Essay Example 2001). He respected popular government to be the crumbled partner to commonwealth. In the Politics, he depicts nobility as rule by the best. In application, this typically implied rule by the all around conceived, those of respectable family who called themselves the best individuals. Aristotle utilizes nation both as such, as the general term for a constitution of any sort, and as the name of one of this sort. The idea of country (politeia, constitution) is that all residents ought to have short turns at administering. Since it is a comprehensive sort of government, everybody has a portion of political force. Then again, government or the general term for rule by a couple is the degenerate kind which plans to propel the enthusiasm of the well off not many. At long last, majority rules system, which implies actually rule by the individuals, was utilized by Aristotle to mean guideline only by the poor to their greatest advantage. Note that Aristotle recognizes majority rule government and politeia dependent on the way that vote based system looks for the interests of just the decision group, while politeia looks for the interests of all. As indicated by Aristotle in Book VI of his Politics, the basic guideline of majority rule government is opportunity, one component of which is having an offer in administering. He pronounces that equity is uniformity dependent on number instead of legitimacy, and thus the large number has authority, implying that the poor have more authority than the rich. A second element of opportunity is to have the option to live as one needs. Subsequently, vote based individuals would prefer not to be governed by any stretch of the imagination, despite the fact that in the event that it is important to have rulers, at that point the following best decision is to control and be controlled thus (trans. 2001). To Aristotle and the Greeks during his time, popular government was characterized as a legislature of, by and for the individuals. Initially, majority rules system was comprehended to mean standard by the average citizens. In this view, it was a lot of a class matter, even before the start of current class society. It implied that force ought to be held by the greatest class,

Italian Words Beginning With the Letter Z

Italian Words Beginning With the Letter Z Evaluate these Italian words starting with the letter Z, with their English interpretations: zacchera †sprinkle of mudzaccheroneâ †mud-bespattered personzaffare †to stop upzaffata †stenchzafferano †saffronzaffirino †sapphirezagara †orange blossomzaino †knapsackzampa †leg, footzampare †to paw the groundzampillante †spouting, spurtingzampirone †fumigatorzampogna †bagpipezana †basketzangolare †to churnzanna †tooth, tuskzanni †comedian veil, fool, zanyzanzara †mosquitozappa †hoezappare †to hoezattera †pontoon, slabzavorro †counterweight, dead weightzazzera †mop of hairzecca †mintzecchino †sequinzelante †zealouszelo †zealzenit †zenithzenzero †gingerzeppa †wedgezeppo †pressed, packed, burstingzibaldone †blend, medleyzelo †zealzerbino †matzibellino †sablezimbellare †to bait, to enticezimbello †decoyzincare †to cover with zinczinco †zinczio †unclezippolo †pin, pegzitto †silen cezizzania †discordzocollaio †obstruct makerzocollare †to rattle about in clogszodiaco †zodiaczolfo †sulfurzolla †clodzollette †sugar cubezompare †to hop, to leapzona †zone, bandzoologia †zoologyzoppaggine †weakness, shake, ricketyzoppicare †to limpzoticaggine †unpleasantness, boorishnesszoticone †animal, savage, harsh personzucca †summer squashzucchero †sugarzuccheroso †sweet, sugaryzucchino †squashzuccone †blockheadzuffa †fight, frayzufolare †to whistlezuppa †soupzuppiera †soup tureenzuppo †splashed

5 Real Estate Branding Mistakes That Can Cost You Business

Building a recognizable brand your clients can connect to is one of the most important things you can do for your business. Everyone knows you should be unique and offer great service, but many brands start off by making the same mistakes. Related: Real estate marketing guide To help you start your real estate branding journey on the right foot, here are a few common missteps and how to avoid them. 1. Not having an authentic brand identity Authenticity means staying true to a brand's essence. Without this kind of transparency, your brand might seem untrustworthy (or even too cookie-cutter) for customers to pay attention to. The first step towards learning how to build brand authenticity is to answer the following questions, which will help you better envision your brand's identity. Then, take all those notes and find ways to put them into an actionable plan. Questions to ask yourself: Who are you, what do you do, and why do you do it? Tell your story and the story of your brand. What's your vision? Your passion? You do not want to lose sight of your goals. Potential clients will respect and follow you because you stick to your guns. What do you believe in? What are the core values driving your real estate business? If your brand had a tagline, what would it be? 2. Not using the full power of the internet Because so many consumers shop online these days, it's easy for them to imagine finding their realtor or their next home the same way. Phones, tablets, laptops—these are our new shopping malls. If you're not harnessing the far-reaching power of the ‘net (such as social media), then it's safe to say that you're missing an entire sector of the market. There is good news, though: It's not too late to jump in and reap the benefits of digital brand-building. If you're a newcomer to the scene, here are the most impactful ways to get started. Videos People are very visual when it comes to shopping around for a purchase. They want to see how the clothing will fit, what condition the car is in, and who the people are behind the scenes—just to name a few examples. Videos that demonstrate the value of your service can be invaluable to building your overall brand. Periscope and Meerkat are two video-creation apps that stream your videos right to Twitter. (You can use a smartphone to record a YouTube video, but you can't edit or make it look more professional without video-editing software.) Perhaps you'll decide to hire a video production company to assist you in creating your videos. For example, you might want to create video walk-throughs of all your properties to show prospective buyers what they have to offer. A company with extensive experience filming apartments, homes & offices will know how to make your property look great on video. Instagram If you use Instagram for social purposes, then you already know how powerful it can be for brand marketing. This strategy is common among influencers, and for good reason. Instagram images can demonstrate and advertise your brand's products & services, but they're also the perfect place to show off your brand's philosophy and personality. Because of its unique visual format, it's important to create content specially for Instagram. A few quick snippets will only take a few minutes of your day to make, so make sure to update this platform regularly and keep your followers engaged. Facebook Creating a Facebook business page or group is a popular starting place for social media marketing. It's a reliable way to ask questions and provide customer support, and it creates a sense of community among your followers. How can you tailor Facebook to real estate branding? Offer first looks at new properties, exclusive discounts, and valuable industry info that will encourage newcomers to follow you. Remember to be visual here, as well: posts with photo or video attached outperform those without. 3. Not building your brand luxuriously Choosing the right colors, design elements, logos, typography—everything matters if you want to create a luxury brand that represents quality and credibility. But, here's something that might surprise you: You can create a luxurious brand on a smaller budget than you think. That is, as long as you're thoughtful and deliberate about what you're building. Your brand identity should harmonize with your brand's essence. (Remember authenticity?) It all works together to communicate your mission, your passion, and your unique selling points. Start with your brand values and work towards a logo that represents them well. As you add in new elements, like colors & fonts, make sure they all work together to send a clear, professional message about the quality of your brand. Finally, remember that your clients can be some of your best brand ambassadors. They know what it's like to work with you, and their story can inspire others to do the same. Collect testimonials from your satisfied clients and from other professionals in your field. (Pro tip: Consider recording them as video testimonials.) From there, you can post them on your website and social media channels. 4. No genuine connection with others According to Harvard Business professor Mikolaj Jan Piskorski, social media is one of the best ways to build connections to your target market. However, it's not just about being present—it's about finding ways to spark genuine human connection. This could mean publicly supporting a cause that reflects your brand's values and that others will want to support with you. Another idea is posting original, behind-the-scenes content that helps your audience to get to know you. There are lots of things you can do and new ideas to try. The point is, by genuinely connecting with your followers, you create positive brand experiences that aren't just about making a profit. Instead, you're putting yourself out there as a real estate brand that wants to help others and to serve your community in a positive way. 5. Not going after free press Did you know you can jumpstart your brand awareness with local media? Make yourself available for interviews in specialty newspapers, magazines and podcasts. You can easily create a stellar one-sheet bio in Lucidpress (here's a good template) to share with interviewers, so they understand your areas of expertise and how you can demonstrate them for their audience. This can be a great low-cost way to start building a name for yourself. Lastly, don't forget that you can amplify your own expertise as well. Create and curate content that your audience will want to read and share. You can do this with a blog and with your favorite social media networks, like Instagram or Pinterest. It doesn't all have to be your own content—discovering and sharing others' content can help you establish a presence and build new relationships. Just make sure you share thoughtfully and give the author credit. Key takeaway Don't get trapped in the same pitfalls other real estate brands have fallen into. Master these principles so you can think outside the box, make real connections, and breathe life into your brand's unique philosophy. Your brand matters. Learn how to protect and elevate your real estate brand in this branding essentials guidebook.

Comparing Marvell’s To His Coy Mistress and Herrick’s To...

Comparing Andrew Marvell’s To His Coy Mistress and Robert Herrick’s To the Virgins, to Make Much of Time Ever since the beginning of time, love has played an enormous role among humans. Everyone feels a need to love and to be loved. Some attempt to fill this yearning with activities and possessions that will not satisfy – with activities in which they should not participate and possessions they should not own. In Andrew Marvell’s poem, â€Å"To His Coy Mistress,† the speaker encounters an emotion some would call love but fits better under the designation of lust for a woman. In contrast, the speaker of Robert Herrick’s poem, â€Å"To the Virgins, to Make Much of Time,† urges virgins to marry, to make a lasting commitment in which love plays a†¦show more content†¦While the lustful lover of Marvell’s poem also bases his â€Å"love† on physical beauty, the speaker in Herrick’s poem neither condones nor condemns this societal standard, but simply acknowledges its existence. Because he realizes beauty plays a huge role in soci ety’s standards for marriage, he urges the virgins he addresses to â€Å"go marry† (14). He explains that they â€Å"may for ever tarry† if they do not marry â€Å"when youth and blood are warmer† and they are in their â€Å"prime† (16,10,15). After all, who wants to marry some gnarly old woman? The speaker in Herrick’s poem makes a reasonable request, urging virgins to marry. On the contrary, the infatuated boyfriend in Marvell’s poem makes an unreasonable request, even for today. In essence, the speaker of Marvell’s poem asks his girlfriend to lie with him. Even if God deemed fornication an acceptable practice, the speaker shows no true love for his girlfriend. The Bible explains, â€Å"Love is patient, love is kind and is not jealous; love does not brag and is not arrogant, does not act unbecomingly; it does not seek its own, is not provoked, does not take into account a wrong suffered† (1 Corinthians 13:4-5). The speaker shows absolutely no patience and looks out only for himself, clearly indicating he has no love, as 1 Corinthians describes it. JesusShow MoreRelatedComparison Poetry Essay2397 Words   |  10 Pagesfirst poem by Robert Herrick, To the Virgins to make much of Time, focuses upon the idea of carpe diem. The poem stresses the ide a of marriage while love and flesh are still young and believes this gift of virginity to be a great waste if not given while it is still desirable. Marvell also uses the carpe diem theme to his poem ‘To His Coy Mistress,’ however with three certain sections within the poem. The first part elaborates on the idea of unlimited time; this then evolves a ‘but’ into the poem

A resting Assurance Essay - 1133 Words

A Resting Assurance In the Kate Chopin’s â€Å"The Story of an Hour† the relationship between art and nature are different, but in some ways quite similar. Art and nature becomes compliments of each other. Art can be defined as anything made by humans, thoughts of the mind, dreams, and nature. Chopin illustrates how art and nature comes together and forms a picture for her character, Mrs. Mallard. In many cases of life, specifically Mrs. Mallard’s, death becomes an escape from life’s trials and tribulations we as people are faced with. â€Å"Death becomes and escape to new life, the afterlife, where we as children of God are taught that there are no worries that individuals encounter, will not be faced with in heaven.† To those who are not afraid†¦show more content†¦One could only imagine how Mrs. Mallard truly felt about her marriage, her husband, and of the joy that kills. Moreover Kate Chopin does a wonderful job expressing Mrs. Mallard’s oppressed feelings about her husband’s death. â€Å"Free! Body and Soul Free!† During a time of grievance of a family member so close as a spouse she finds it hard to grieve, but focuses on her new life alone. She can now live for herself. â€Å"But she saw beyond that bitter moment long processions of years to come that would belong to her absolutely.† No one knows the state of mind of an oppressed individual until they experience oppression first hand. Mrs. Mallard reminds me a lot of my grandmother, but with a slight twist of situation. My grandmother is a diminchi patient, which is a form of Alzheimer and resides in a local nursing home. I can remember my Aunt Odessa telling me the story of my grandmother’s marriage, and how my grandfather did not let her live her life. She was not allowed to leave the house unless he said so. Her job was to be bare feet, pregnant, to have his dinner ready ready at the end of his days work. If she didn’t obey his rules h e would beat her until that was all she knew. I tried to put myself in my grandmother’s shoes and wonder why she didn’t leave, but I had to imagine myself in the south in the 1930’s and as an African-American woman, with no education and no job. What and who do you turn to. Your parents not having the funding necessary to sendShow MoreRelated A Portrait of a Young Man Essay753 Words   |  4 Pages Portrait of a Young Man was painted by Angolo Bronzino between the years of 1503-1572. The portrait is 37 5/8 by 29  ½ inches and is an oil on wood( Metropolitan Museum of Art, 1999). I picked this painting because of the self assurance, at first glance, of the young man that is depicted. This appealed to me because it reflected my own attitude. 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Music is Part of our life free essay sample

Music is part of our lives whether we realize it or not, whether we actively participate in it or not, whether we appreciate its power or not. This is, in fact, the real power of music ? that it can affect us whether we are aware of it or not. We need only think of the music heard on the soundtrack of most movies. We may be aware of the action and the dialogue, the scenery, costumes and special effects, yet music is supporting it all and guiding the emotional context. In the best films, music is an active team player, but in the worst of films, sometimes the music is the only thing holding the story together. So important is music to film that studio executives sometimes watch â€Å"rough cuts† with a temporary music track, even before the actual score is written, to get a feel for how a particular scene will play over it. Film is just one example. Television programs also have musical underscores. Many commercials use â€Å"jingles† to help sell their products ? these are tunes we â€Å"just can’t get out of our heads. † Result: we remember the product! Radio provides music 24 hours a day, seven days week, in every style imaginable. We buy our favorite music in record stores. Finally, there is live music, be it school friends with a guitar during the lunch break, a nightclub with just a few tables, a religious service with a choir and instruments, or a large concert or giant arena where thousands are gathered to share in the experience of music making. In prehistoric times, before our ancestors became masters of our world, life was mostly random and patternless, except for the seasons. Even they couldn’t be counted on to produce rain, snow or sun at regular intervals. As fire was harnessed, as social order and language developed, as tools improved, the rhythms of life assumed a greater organization. Emotions developed as well ? from basic animal traits of pleasure and fear, contentment and anger ? into a much more complex system. Once the basic need to survive had been adequately addressed, humankind was suddenly freed in small measure to become introspective, and to contemplate its own existence. Music was undoubtedly the accompaniment to all these discoveries. Imagine the first baby to hear its mother sing a lullaby. Imagine the first field workers to chant in rhythm as they planted or harvested. Imagine sitting around their campfires, celebrating the success of the day’s hunt or lamenting the lack of rain. Before drums or flutes, before cave paintings, before basket weaving and clay pot painting, there was the human voice, capable even in earliest times of a vast range of expression. Somewhere, deep in our souls or collective unconsciousness, there is the sound of our own identity, of our connection to the universal power, which music amplifies to our great satisfaction. Whether we are aware of it or not. So why should music play such an important and integral role in our lives? As it turns out, research over the last few decades has increasingly shown that music, and in particular the singing and playing of music, helps the brain develop much more fully and extensively, especially in our early years. Music makes us brighter, more intelligent, more logical, more rational, and more capable. It improves study habits and test scores. It builds a better sense of self and community. It aids in our general sense of well-being and improves our quality of life. At times, it brings us closer to the divine in all of us. A recent study even suggests that the act of singing improves the immune system. To answer a question with a question: Why shouldn’t music play an important role in our lives? Given what music can do for all of us, but especially for children, it is imperative that we work to offer opportunities for children to become exposed to music, and to begin to understand what makes it work and why. This is why Los Angeles Chamber Singers is so committed to educational outreach and so appreciative of the Shumei Arts Council’s efforts to bring about January’s What Makes a Chorus? Program. Other research by the San Francisco School District tells us that just one exposure to music, or to any of the other art forms, is all it takes to change a child’s life and keep him or her involved with the arts in some way. The window is open from birth through the age of 15, at its peak around eight, and the earlier the exposure the better. Additionally, early familiarity with many art forms increases tolerance for and pleasure in all art forms. Children and teens who only listen to rock music may grow dissatisfied with it when they reach their forties but will be too afraid or unfamiliar to try other genres. Those same children exposed to other forms in childhood may prefer rock during their twenties and thirties, but find the adjustment to classical or jazz easier and more familiar. Some people have wondered why we take the approach I’ve come to call â€Å"deconstruction. † It’s actually in direct response to something I learned in an education course in college. The key term is â€Å"frame of reference,† or as Aaron Copland said, â€Å"What to listen for. † Nobody learns anything in this world without a frame of reference, that is, without some preparation for and understanding of the elements that comprise the topic of study. Take, for example, the sentence: â€Å"The impending war with Iraq could either be the next Grenada or the next Viet Nam. † Most of us would recognize this to be a metaphoric reference to the length and severity of the conflict, with Grenada being a â€Å"piece of cake† and Viet Nam being a protracted disaster. We have a frame of reference that allows us to comprehend the full intent of that sentence. Now, imagine that an immigrant child of 13 from a poor country had to stop his education in the third grade to help his parents’ farm, later moved to the United States, and finally returned to school. His English is poor and he has missed a large chunk of his education along the way. His social studies teacher asks him to read and explain that sentence to the rest of the class. He manages to say the words but can’t begin to explain them. Yes, he hears â€Å"Iraq† mentioned everyday in the news but doesn’t know where it is on a map or anything about the first Gulf War. He’s heard of Viet Nam and knows there was a war there a long time ago, but has no body of facts on which to draw, and, he’s never heard of Grenada. After other students answer the question, the first student awakens to an understanding that moments ago he lacked and this is due to his newfound frame of reference. In music, each song or work exists in a context. Simple folk tunes are just that: easily accessible to anyone upon first hearing. The elements of basic Rock’n’Roll are a standard chord progression, a catchy melody and lyrics, with some decorative additions. The Blues follow a standard chord progression, while the first line of text is repeated three times before the â€Å"punch line† is given. In classical music, the context, or frame of reference can be much more complex. For this reason, it’s important to break it down into smaller, more intelligible pieces. For example, a beautiful 17th century motet for double choir may be quite sonorous and entertaining on its own. But once it’s explained that: the first chorus is comprised of higher voices who represent the angels in heaven; the second chorus of lower voices represent the people on earth; they’re having a conversation about a miracle; the miracle happens when both choruses sing together for the first time; and we can tell that because the rhythm changes from a quick chatter to very slow, long notes, while the harmony changes from simple chords with shared notes to complex harmonies with no shared notes. With this information, the listener can have a much deeper experience with the music while it’s being performed, and, equally importantly, remember something about it later ? all because of frame of reference. In Mozart’s time, the aristocracy was well-educated in all facets of music, especially the formal structure, and knew the capabilities of each of the instruments. They could appreciate when music was played well because, in all likelihood, they had learned to play an instrument or two and had built up quite a library of scores. Before electricity, there was only live music, so many people automatically learned to play or sing to keep themselves entertained. When they went to hear a new symphony, they knew in advance that it would have four movements, that the first would be an allegro (fast tempo) in sonata form (AABBCAB, where A and B are contrasting themes and C represents a lengthy thematic development of those themes); the second would be a slow and graceful movement; the third would be the minuet and trio (a shorter, dance-like movement with a contrasting middle section and a reprise of the minuet); and a finale which was also marked allegro, in one of several forms, such as a rondo. They also knew about key structure and relationships, so that if the first movement were in C, the second might be in F, the third in C for the minuet and G for the trio, and the finale again in C. With this grand set of expectations or frame of reference, they would be able to see the composer’s latest creation in the context of all the other symphonies they had heard, and would recognize at every step what was usual, what was a departure, and how successful the composer had been at both. When you listen to music with this level of understanding, you can’t help but be actively engaged in the process and its outcome. You can’t help but marvel at the true genius of the master composers. And you can’t help but grow as a human being. There is only one way to accomplish this level of musical literacy and take advantage of all its inherent benefits: that is to keep music a part of every school curriculum. It’s the path to well-being, harmony, and peace. It’s the path all of us need to continue to follow.